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may, 2001
Wednesday, May 2, 2001, 25:52 AM
listening to beethoven's op. 131 string quartets (guarneri -- i kept
jenny yun late at underhill tonight, trying to find books on
rachmaninoff but getting distracted by scores to verdi's stabat
mater and ein deutsches requiem, books on the second
Viennese school (soooooo excited!)). beethoven (it was
symphony number seven, sieben, this afternoon; my wishes about the
second movement fulfilled) on the stereo, a personal guru
critiquing my LaTeX coding style behind me ... this is a
beautiful stasis which violates all definitions of the word we
learned in Mrs. Sager (was she?)'s 8th grade Language Arts class.
Dynamic vs. Static, we were told. as themes in literature; as they
describe characters; as they name situations. this is a stasis full
of swell and subito piano, inflected like the streichquartette
from this man of the first viennese school, crescendo and
decrescendo, full of dynamics. a beautiful stasis. god, but i want it to stay.
he whistles while inhaling, tonguing the notes like a clarinetist.
my dad used to do that and would anticipate the chord progressions of
whatever was playing on Wisconsin Public Radio. my mom says, freud.
i say, i go to a liberal arts school; don't think i haven't
considered it. more parental parallels when one of my three words is
"maternal" -- my associations aren't bad, per se (quite the opposite
in almost every case), but no girl wants to become their mother.
(eating ramen. one of the last times i had it there was german pancake in it.)
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Sunday, May 6, 2001, 12:27 PM
was haben wir gemacht ? ~ my first german sentence to speak of.
they say that sometimes your first utterances are indicative of your
personality. "book" was my first word; "follow me" my first complete
sentence (and note that it was an imperative).
drinking riesling before brunch. (i don't intend to regret anything.)
i will learn german by reading wine labels; looking at bilingual CD
liner notes on Bach; grilling the native speakers (by whom i suddenly
seem to be surrounded -- marTin, oliver, henrike) on pronouns,
numbers, days of the week; from memorizing poetry and recalling
constructions from rilke and goethe; by sheer will and belief (it's
worked for me up till now).
we don't need no education -- who needs a textbook?
i will learn german by cutting hair; driving through the delaware
valley singing along to the beatles; by making my hair gesund und
schön (albeit knotty -- tag für tag); by learning shell scripting and
the ins and outs of procmail; by sheer will and belief (it's worked
for me up till now).
finished the bottle. was haben wir gemacht? (at least the moon is right.)
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Wednesday, May 9, 2001, 8:09 PM[begun may 7, 2001, 26:25 AM]
here, there, everywhere; morning time and evening time and summertime
and wintertime ...
joel-o told me of talk he's heard. of people commenting on marTin's
and my entrance this [monday] morning, running up and attacking hedda
and mark from the sharples tunnel on the « sharplesian plane », and
how we looked so happy and how we were right together. this kind of
gossip makes me happy. i love that my happiness is this transparent
and evident.
what has been going on recently? i can't remember and i don't care
to. i could parse my days if i had to but i'd rather parse my
sentences. learning german, slowly. ich habe drei grosse
knutschfleken. i can't wait even eight hours. and it will have
been more unless he reappears right around the end of my 7 - 10
underhill shift. i've been working a couple of these recently, taking
people's shifts where they need extra time and sitting behind this
neon-orange desk, trying to get MacSSH to use protocol 1 (i think; it
just doesn't like sccs or orange -- i have to log
into them through allspice), listening to whatever swims into my ken.
it's eroica right now. (all it needs is a[n aspirated] T.)
monday i went through beethoven 1 and 7 before coming around to the
rep tests which i'm vaguely doing ... at least beethoven 3 is on them.
as is six. it just might be an evening of this first viennese master.
i apologize for the repetition of certain phrases, certain metaphors i
get hung up on. it's all in the process of codification, in the
realization that einmal ist keinmal as kundera says and as i've
echoed (yes that's geekspeak seeping through) (please tell me what the
fuck renice means?). and i don't mean once as in once
per lifetime. i mean once as in iterations within the day, iterations
within the minute as i wake up, iterations around a blue-and-green
cycle, iterations of three words in various combinations, iterations
in all the languages in which i can hope to think, iterations varying
location from place to place and country to country. this phrase is
resonating and i'm just exploring its imprints in my life recently.
(just don't let me latch on to the other german phrases in that book,
muss es sein ? and ess muss sein -- much more
fatalistic. which is not at all what i need now, to keep being able
to seize the days while i have them.)
this fall i will be in vienna. i'm applying for my international
student ID card (not sure it will do me much good but
counciltravel.com seems to think so and what can it hurt.
airfare discounts? received an email from our contact person at
DePauw this afternoon (at least, when sccs went back online -- it was
sent yesterday) detailing some aspects of our courses, &c. the
theory course they're describing (which i don't understand as being
geared for the both of us, me and Olivia -- she's had one semester of
theory; i've had FOUR) sounds fucking awesome. and they totally
incorporated the suggestions i had for them as for syllabus:
Fin de Siecle/Theory Course Description: In this course we
will focus on the theoretical aspects of the music by composers living
in Vienna from approx. 1880 to 1945 which includes the Late Romantic
composers (Brahms, Mahler, Bruckner) and the Second Viennese School
(Schoenberg, Berg, Webern). We will listen to and analyse a number of
pieces and the students will take advantage of the massive concert
offerings in the city of Vienna. Projects will be tailored to the
students individual level in theory in a seminar-like environment.
... how cool is that. i mean, i'm not sure what they can find to say
to a student who's analyzed wagner and one who's barely touched
mozart, but "projects will be tailored," and we'll be in fucking
Vienna. viENNa. prospects look so good for this fall ... 210 miles,
5h by train, a yellow convertible, a few weeks before and after ...
sheer will and belligerence ... vouloir c'est pouvoir, non?
god[dess] let it continue. i'll hold my breath and hold my tears lest
i lose anything. keep me safely through the night.
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Friday, May 11, 2001, 5:51 PM
i have a tendency to personalize my environment, to declare myself at
home wherever i am, and to settle in. right now i'm seated at
aleppo (if you knew that was a spice, you get points -- extra
points if you knew it was from Syria, and that it's a city there) in
the sun lab right now (an Ultra-10 sun microsystems computer running
Sun OS 2.6), in front of a window which would have a great,
fully-green view of the hill down from Sproul to DU, but is instead
blocked by this huge monitor. strewn all around me are bits of
detritus which have accumulated over the past day and a half ...
pinker's words and rules, my sunglasses, a cloth in which a
loaf of hot bread was initially wrapped, a pink nalgene bottle, my new
Swat QSA shirt, a hot pot, a box of Pasta Roni shells & white
cheddar, one of kasia's green pens (i lost my red one at the same time
as i received those tree scratches last night). i'd say i've moved in
but this is so temporary and nowhere near the amount of stuff
(cube fridge full of snapple and white wine; several books of CDs;
&c.) that marTin has stored in the adjacent robot lab.
i haven't moved in but i'm certainly domesticating the place. not
wanting tarble for lunch (vegetarian options include bean burritos,
grilled cheese, veggie burgers, and (for me, the bad veggie) tuna
sandwiches or melts -- all of which get old fast), i whined until
marTin threw a box of gnocchi at me (<-- extracted from
the same genuardi's bag as a package of almond flour, for to make rum
cake with -- call your aunt and get the recipe, boy!). i dragged the
hot pot into the sun lab proper and set up a small kitchen next to
Coriander, procuring olive oil from tarble with which to mix the
over-salty pesto sauce. but there was spinach gnocchi in four
minutes, just like the box promised. i took a bowl up to boy,
studying for his next honors exam (the second 8:30 AM one in
two days -- i'm not sure i support that kind of brutality, especially
when it affects my sleeping locations!), and felt ridiculously
domestic. ah well, so be it. never tried to counter that one.
woke up this morning feeling very relaxed and happy, watching the
sunlight (only between 8:30 and 9:30 a.m. do i get any sun in that
cave of a basement room) traverse the translucent petals of one of the
pink roses i have up to dry above my bed, left over from the twelve a
month ago or so. woke up hair down feeling warm in many ways and made
my way to the sun lab, where i've been since.
fuck this shit, yo. this project due sunday night, and i've got to
work straight through this next week (until the 18th) to get
everything solidly out of the way. at which point i will be blessedly
done, and can concentrate on moving (temporarily).
until then, work.
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Sunday, May 13, 2001, 26:11 AM
all i want is food and creative love ...
all i want is food and creative love ...
all i want is food and creative love ...
all i want is food and creative love ...
(... you call me nimmersatt with good reason.)
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listening to rusted root in the sun lab. still working on this paper,
goddamn it. fighting with linux. and winning occasionally. poking
around as root and no, i'm not breaking my system as i've
hypothesized. (that doesn't mean i can get this paper to compile.
LaTeX is cool, but fuck this \input{filename} command.
orange:/home/nori/school/Linguistics/cs129/final# ls -l |
grep 'carlisle' | awk '{print $9}'
abstract.tex
abstract.tex.bak
appendix.tex
simulation.tex
simulation.tex.bak
orange:/home/nori/school/Linguistics/cs129/final# chown nori
`!!` chown nori `ls -l | grep 'carlisle' | awk '{print $9}'`
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it's a little weird switching between languages. i suppose i'll get
used to it. it's more syntaxes than anything. gave a vi
lesson this afternoon, someone who wanted to insert a space at the
beginning of every line in a chunk. beautiful -- :'<,'>s/^/
/ :) going LaTeX to shell scripting to html. marTin was thrown
this evening, riding home from the PYO Academy (cello and viola in
trunk of subaru -- i love my subaru, i can't wait to get home and
drive stick!) with Oliver and hearing rapid switches between chinese
(oliver and brother to mother), german (siblings to each other),
english (lingua franca of all in vehicle), and french (me to marTin
and back).
! LaTeX Error: Missing \begin{document}.
See the LaTeX manual or LaTeX Companion for explanation.
Type H for immediate help.
...
l.13 ...h.3em}\OT1\textunderscore summary.tex.aux}
?
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ali is walking around the sun lab. (wonder what he knows about me.)
rusted root, as i mentioned, playing using aaron's mxaudio
program, my mp3s downloaded from orange to /local. an orange
in front of this Sun Ultra 10. i had chocolate-covered strawberries
at sarah kate's "study break" this evening after marTin and i returned
from the concert (he said the tannhäuser overture gave him goosebumps
-- always a good sign; was incredulous when oliver said he missed
about 20% of the notes). no dinner proper because of this
project and
and concert in combination. but i don't mind -- a late chinese lunch
(more vegetable lo mein than i can possibly eat; i covered it and just
received a check for "services rendered") and the adrenaline from
Wagner, tchaikovsky (romeo & juliette overture), brahms
(Akademische Festoverütre), the chinese piece, and schumann (though
less the two latter than three former) sustained me fine. and now
there's even left-over lo mein.
stasis. status quo.
walking around philly this evening, after perfunctory socializing at
the reception finished, asking for three words and making me smile in
a square. interesting that he noticed that! the way my grandmother
smiles when she isn't actually happy, just drops the lower corners of
her mouth into an inverted rhombus, and pastes the expression onto her
embouchre. i've always hated that face -- i think it makes her look
senile (which she largely isn't). every so often i notice it in my
mother, when she's apologizing too much for something, qualifying her
speech so the dumbasses with whom she's surrounded will understand
her. (it appalled me when i figured out that my parents, even in
their academic settings, have to self-censor their own
vocabularies, topics of thought, and modes of expression. my mother
especially frequently apologizes for her thought -- her brain is too
active to actually not vocalize the cool things she's thinking (when i
called today for mother's day, she was outside re-potting plants,
listening to a lecture on Dante on tape), but she often smiles in
apology when she says what she's thinking.) this trapezoidal smile is
one of the eleanor-inherited traits i promised myself i would
conscientiously avoid. and he says that when i'm especially pleased
with something, i have a "square smile" for a fraction of a second
before my mouth resumes its normal happy shape. ah well -- like mother
like daughter like daughter, i guess.
more later.
must go finish wrapping up this fucking project, which didn't work.
Pinker triumphs. wah. :-(
Date: Mon, 14 May 2001 15:14:15 -0400
From: Nori Heikkinen
To: Laurel Eckhouse
Subject: Re: where you?
User-Agent: Mutt/1.2.5i
on Mon, 14 May 2001 03:08:18PM -0400, Laurel Eckhouse insinuated:
> thought we were supposed to pick up the sharples order
> today - no you. ?
>
> Laurel
right still working in sun lab have new subwoofer and speakers
hooked up and beethoven seven blasting am creating diagrams of
networks and importing them trying to finish this paper considering
making pasta but forgot my ID in my old pants whose zipper broke last
night and so i had to borrow marTin's which are actually kind of cute
but don't have my ID in them and i'm hungry and he gave me snapple but
we ate all the chinese food last night so all i have left of that are
two chopsticks and an earthlust mug in front of my computer and a bag
of unpopped popcorn but marTin forbade me from making that "in his
building" and now allan and hollis are doing jigs and capers to the
fourth movement here and i have to work! dinner?
~n
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Wednesday, May 16, 2001, 25:35 AM
- the world looks different from atop the sun lab
- i never realized how many different kinds of
white socks there were! pairing them an exercise
in detail recognition.
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Thursday, May 17, 2001, 29:39 AM
it's dawn, or fast approaching it. there's light behind the belltower
and it's silhouetted perfectly from where i'm sitting, at rosemary
(Sun Ultra 10 in the robot lab -- in ten years i won't remember what
all these odd spice references were, perhaps). blue dawn through the
window. alternately david bowie, tangerine dream, the beatles, and
pink floyd come across the stream from ceylon, the mp3 server that has
more pink floyd than i do beethoven. (hm ...) i've been here since
ten last night, or should i say this night, meaning the one that just
passed in the day of which it is now actually 29:42 AM -- ten o'clock
PM, i say, or rather 22h00, when i locked up Underhill (where was the
girl who was supposed to work? --she never showed, so i got the key
and got $6.25 / h to typeset my newly-written fugue.
yeah, i wrote a fugue. vinny says (in addition to "come to
california!"):
For a canon in inversion is a dangerous diversion,
And a bit of augmentation is a serious temptation,
While a stretto diminution is an obvious allusion.
this morning -- i mean last, or this first morning, since there are
now two and twenty-four hours are expanding indefinitely (or at least
until i finish this fucking god-awful paper -- fifteen pages of
excrement) -- i woke up already fatigued, and have since written a
fugue exposition in six flats and four voices, typeset it, gotten paid
to do so, eaten three meals with kellam, and written a good half if
not more of a 15-page paper. not fucking bad.
kellam and i are amusing ourselves. emailing each other to keep
ourselves on track and bitching about work ... i think he went to bed
a few hours ago; i'm supposed to call him at 7 AM (31h00) to wake him
up so we can go to breakfast (sharples opens at 7:30, the bastards.
i'm always bitter at how late they open when i pull all-nighters like
this).
teehee. . . wanna read my first
paragraph?? i kid you not, this is what it is. . . (so far, i mean)
One fascinating lens through which scholars have considered
viewing Homer's Odyssey is that of Odysseus as a bard. Ostensibly,
yep, that's it. . . |
> tomorrow, sometime. but i want everything in by noon ...
> but i want this dONE!! :(
ummm. . . POOF!!! it's done! now you're free : )
bill: $2,487.02 please pay all accounts by friday, may 19th, lest
you incur a late fee. good day. : ) |
from my paper: "A closer look, however, reveals that this
seeming farce -- filled with crossed lovers, cross-gartering, and even
a little cross-dressing to boot -- has a more sober side." heh. i
hate this shite.
marTin and i had roach wars over my desktop remotely the other day. i
held my own killing his processes and tracking his motions as root
(not only to my computer, hey), until he started cheating and running
xroach from his computer remotely to mine. he's got root to
mine and i don't to his ... i better not be extending this. shut up,
nori; you're wearing purple wool and you're allergic; it's almost 30
o'clock; you're hungry, and you haven't been functioning well.
growing pains or something.
nah, it's all good. i think. shooting for noon on what appears to be
today ...
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Tuesday, May 22, 2001, 7:05 PM
i had an awful dream last night, vivid and elaborate without much of
the usual rêve-like haziness and morphing. i woke up married
and calling out, and, remembering the rest of it, cried for half an
hour.
she wrote him letters in blue daily, several times daily. short blond
hair.
tereza too dreamed in the unbearable lightness of being. (there are
too many parallels, and none of them fit exactly.) who knows what
i'll do in two weeks. banish thoughts of proximity mattering, and
clamp onto all but two neurons. believe. i hope.
almost done with my work. the big things that were due the 18th (the
last day of finals) got turned in ... it meant that i saw the sun rise
over the belltower from the inside of the robot lab, but it also meant
that i got to see dawn, which is always beautiful. i didn't start
shaking with cold sleeplessness until after breakfast, at which point
i found a paper i'd written three years ago on a similar topic (same
play -- fuck twelfth night) and stuck in a couple paragraphs of
that wholesale to complete the thirteen pages i'd written that day, in
addition to a fugue exposition. felt hardcore. all that's left now
is some music stuff, which i'm currently in underhill doing. rep
tests with peter yoo -- he has four left (silly senior) before
wednesday, and i agreed to study with him, since i may as well take
them. symphonic is tomorrow. ought not to be hard. meantime writing
a paper on scriabin and his color perception. romantic-style piece
(shut up).
marTin and gabe helped me move my and everyone else's (laurel) shit
out of lodge deux sunday night, the last of the dynasty. or
something. it's felt less cohesive as the year's gone on ... fine by
me. dynasty shmynasty; all i want is what i have right now:
- installing random unix OS's on marTin's old computer
- bread and nutella in a forbidden kitchen
- dreams of france and a yellow convertible
- time frames beyond june 4th
- eyes
... and i want good dreams. o god, I could be bounded in a nut shell
and count myself a king of infinite space, were it not that I have bad
dreams.
we live like god in france: login messages on my terminals. roach
wars. a diminished need for renicing. command-line mp3 players
streaming banco de gaia and beethoven. rehydrating over dinner with
seanius, rebecca, and gabe the other night. vitamin b-6. more
allegra. (stolen roses from worth.) genuardi's on a quest for
nutella and chocolate sprinkles; recording shopping lists on a digital
voice recorder. pairs of connections. cute, roban says:
roban@merlin:~$ w
USER TTY FROM LOGIN@ IDLE JCPU PCPU
WHAT
nori pts/28 d178.mary-lyon01 17Apr 1 12:45m 7.40s 7.40s -tcsh
madduck pts/3 d178.mary-lyon01 3Mar 1 42:20m 3.07s 3.07s -bash
nori pts/56 d108.bond-lodges Tue10pm 8:21m 15.15s 15.15s -tcsh
madduck pts/38 d108.bond-lodges Wed 1pm 2days 0.68s 0.68s -bash
nori pts/49 catnip.cs.swarth 11:58pm 21:34 5.70s 0.75s mutt
madduck pts/20 d172.sproul.swar 2:41pm 2:52m 0.43s 0.43s -bash
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king of infinite space. o god. i mean it.
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Thursday, May 31, 2001, 11:17 AM
i am wordless but must change the angstiness of my previous entry. i
still have bad dreams semi-regularly but they're only vivid, not
always frightening. (sometimes they are and i wake up calling.) this
doesn't mean i'm not scared; i'm terrified. i cannot stand this
situation and all i can think is T minus two days, four till i leave.
five-ish. however you count it, the present moment ends there.
but while i am scared, and perhaps because of it, the most exquisite
flower is unfolding. and here the wordlessness begins. the sum of
the component parts is less than the total, so what does an orange
bean pillow stand for alone?
fanjul came
back, and jeanne stayed. the two of them crashed at wayne's place in
philly, where electra now spends half her time. the six of us, until
the two former left two days ago, have been chilling between our two
pads -- cooking tortillas and wayne's beer-y corn chowder, cakes,
gingerbread, &c.; at wayne's beer &c. and two muppet movies in
a row. driving into philly in search of muppets and company sunday
night, marTin and i got lost when chris took a sudden hard left, and
we took a soft. eventually we caught back up with them, but with the
beatles on the stereo, i wouldn't have minded had we driven all night
like that. i love these people. chris and jeanne brought us bagels
in bed tuesday morning before they left.
yesterday talia threw a tye-dying extravaganza for he 22nd birthday,
and the third floor of the barn transformed into one big kitchen (a
feast was being made) and craftshop. julie brought the much talked-of
denise. someone put the beatles on the stereo and i sang along even
though we weren't driving down some road. dyed a shirt laurel left
me; marTin fell into his element and did three. feasted on orzo with
capers, muffins, and brownies, and we left to poke around south street
downtown for the evening.
wordlessness. i can describe situations, and how many different kinds
of flans and pudding patrick had on the barn table (three), but i
can't apply words as fluently to the warm buzz where i was yesterday,
on the train head on shoulder, bright color speeding by and there was
no sense of time (four hours start to finish, i think it may have
been), only sense of marTin. small hike from the train station but
the warm humming emanating from my heart apparently didn't affect my
sense of direction, or the geography of downtown philadelphia. it was
last year's south street with a
mission, but everything was too expensive. should have
anticipated. not a matter ... looking through the cavernous (tiny?)
grocery store in search of tissues to go with m's sudafed is an
adventure in itself, and the warm buzzing gets louder when i'm near
him. maybe i can't hear it, maybe others can't hear it, maybe the
grocery store isn't really this big, maybe everything's happening in
normal time to everyone else. but i love him.
he swore he wasn't hungry but ended up eating half the pizza i ordered
at ("proper attire required") (he zipped on the legs of his pants)
pietro's. and not regretting it. fresh rolls and olive oil.
staring. i could be bounded in a nutshell ... please don't leave.
but until you do please never look away.
the warmth is still here even though the audible buzzing has subsided.
or maybe it was music. a beat stayed with me yesterday. but for
these two -- four (-- time won't matter if you keep looking in my
eyes like you did yesterday) -- days, don't look away. i don't know
how to describe this flower but the sense of beauty awakened a month
and a half or more ago is here and is becoming more full-fledged every
day.
don't go.
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all this ©nori heikkinen, May 2001
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